All posts by Prachi Bhardwaj

It must be the strangest thing in the world for a writer, to write a word or two about him/herself. Hello, let me be as weird as I have survived while I tell you I write poems, stories, journals in life. I am an overtly sentimental human, an inevitable maze of contradictions and an extreme non-conformist. In very plain words, i just eat. breathe. read. write and roam like a wreckage always with a hope of being reborn into anything that I am not, today. To be useful, I do many things like teaching, colouring, cooking, traveling, meditating, content curating and not to be useful, I often search for oblivion, a hermit to be free of the world, as much is possible in a lifetime. I love trees, flowers, mountains, landscapes, rainfall and the seas, oceans and lakes more than human existence on this blooming earth. With all sanity intact, I also believe that I am a child of the sea and an extended soul of Sylvia Plath. If I have not already overdone my own introduction, I would wish for you to know that I am always willing to live a free and peaceful life with all my soul, trying to reduce my paradoxes to simplicity.

I Too Call Myself ‘I’

I have no joys that are not yours, no
aches which are not yours, I too call myself I.

There are no rains, that I’ve not seen
turn into melancholy, sitting like a drought
on the window side, waiting for a single drop
to wash the air off your stains, but you
occupy everything, everything.

There are no afternoons when I’ve not burnt
brighter than the scorching sun in the sky
to light my own house and look for a touch of you
lost but breathing, shivering for the warmth of my chest,
your longings falling like tired embers.

There are no nights that I’ve not spent sitting
depleted and curled within a hundred layers
like a mongrel, trying to dig into the end of me,
where my grave must be, where my birds weep
to go to sleep.

There are no seasons when I’ve not looked
for the face of spring, how many years have gone
autumned, perforated, pining for dancing horizon,
to feel once what does a dead tree feel
when flowers break out of its emptiness.

I’ve ached too but they called it a manner
of a woman, an emotional freak, a damstrel,
whose tears the world can see is cowardice
and a man’s pushed down the throat is courage.

It is I who’s lost like the wind of anguish.
It is I who’s betrayed, once beloved
and in the end a bereavement.
It is I who has sucked air out of the body to check
if my lungs are breathing pain, in and out.

But they’ve counted on rolling calendars
seasons after seasons, your autumns,
your cold januarys, your storms of despair,
your abyssal, your suffering, your bleeding heart.

You are the pure heir of a family’s name,
soul bearer of another lioness to your beast;
and I a surpassed sorrowed gender,
whose heartbreak must end with a whimper.

But how will they separate from our mournful sky,
this I from you, you from this I. For if we were
a damaged ship, put together piece by piece
one last time,
I will still be I.
You will still be you.
We will still be us.

The first two lines of the poem have been picked from Kamala Das’s An Introduction.

Short Story: The Midnight Encounter

I opened the door with my hands that had by then taken the temperament of a log of wet wood- soaked yet thirsty, beginning to smooth out on the outside but on the inside falling apart like a web of dead blue nerves, shivering like wreckage of autumn shrubberies. I sneaked in with my eyes unable to gauge everything of the darkness, with a thunderstorm in my stomach- as if in a while- I’ll be an infinitesimal part of all the gloom in the air surrounding my shivery body. The stillness of the room was sinking in my blood with adlibbed goose-bumps. I was in those moments when the faintness of a dark space bloats itself bit by bit and makes one feel as if it’s coming towards you like an adventurous swing from a soaring height and it will hit you in the face with absolutely nothing but it will hurt and bleed like a severe accident.

In a fraction of a second, I heard a strange voice, at first the voice collided with my heartbeat and vanished unnoticeably and then it remained the same way- a streak of golden light does in a flickering bulb. Half of my heart throbbed in my stomach and the other half was hung in the middle of my dried throat; my head felt submersed in a huge helium balloon, unable to move, blink or breathe. I heard an unsteady, cracked female voice. As soon as I heard the voice I stood frozen since it felt like a voice of my own- not the voice that comes out of the rolling tongue made sensibly heard using syllables but a voice that’s of a hungry stomach, unconscious and alarming. I saw a silhouette of a woman sitting on my bed.

From the tips of her blonde hair rolled underneath- kept neatly on her forehead, a vintage shirt with fluffy sleeves and a cargo pant- to the limitlessness of her aura – she looked like sunlight breaking out of labyrinth of silver linings of besieged clouds in a bereft sky. She made me remember of someone important- someone I know as intimately as myself; someone I remember like the lyrics of an overplayed song, recipe of the special dish Amma cooked every Sunday, alphabets and numbers I learnt as a kindergarten kid- like the things you never notice but they are embedded like stones in your memory.

Conspired by what my eyes could see, my dysfunctional brain struggled to push my calves to move ahead and look closely at this woman but my bones were as usual stubborn. In a small second the woman disappeared and I frantically started moving in the darkness- suddenly my fear disappeared and I turned into a mad lover looking for a closure to a mystical heartbreak. I switched the lights on to find a neatly folded yellow letter kept on the bed.

“My dear reader, I want to tell you, that night my thoughts had ensnared me beyond the capacity of a cage. The flesh holding me together withered like embers falling from a forest fire. I looked at the mirror- I saw my flesh torn apart, rotten and dull- I appeared to myself like those scary sketches artists draw of half eaten bodies. That night- like owl’s talons clenching my heart- I belittled every reason of my life, then I saw a never-ending sea through which I dawdled- with each footstep my body becoming heftier and that sea was my pain: the pain was me; I had become it and I had to go for I could see nothing else but this sea going up and down holding my pain across its waves. I had to drown my own sea. In the moment of my own murder, I was free. I saw the sky- after years of looking at it, I saw my widowed sky and a regret ached in me. I wish I had been the seeker of its vastness since the beginning of my life but I was free of this colourless world only when I turned blue in the shadow of the sky casted upon the sea. I am Sylvia Plath, your Sylvia. You’d grieved when you first learnt about my loneliness, you’ve loved me even when I never touched you, I never spoke to you but you told me how they try to shut you for your madness. You’ve screamed at nights your lungs out and looked for someone to give back to you- the mute laughter you crave for. This is what I give to you- be the sky and live me from here. Choose the madness, the sky, the sea and come to me, here I lie like a solaced wildflower.”

As I finished reading the letter, I was drenched in sweat, a million voices echoed around me, my presence juggled between death and life in a micro-second. Suddenly, someone jerked me like an electricity wire and a jot of my senses came back.

Marina, my 9-year-old cousin, tried snatching the paper from my hand but I refused to give up as if it were a key to my own grave.

“I want my sketch back, Didi,” she almost yelled at me.

“That’s not your sketch,” I said and looked at the paper.

It was a beautifully drawn sketch of a caterpillar. She had coloured it so uniformly that it seemed like the caterpillar was dancing on that piece of paper- maybe it was happy- its life would last just three summer days.

When Impatience Takes Space in a Relationship

Years back – this one evening, I furiously walked into my mother’s room and almost screamed at her for being too tolerant. As I was growing up, I started noticing how small needs of my father were crucially important and my mother gave up too much to fulfill what others wanted – too often. She would let my father let his anger out, for a reason or not for a reason, patiently. It felt so unfair that I once told myself, “Being patient in a relationship is such a crime, you can’t love yourself. This will not be I in any of my relationships.”

When a ship floats on the water, the bottom of the ship is the most important part – that is built in a manner so that the ship can float, so that it doesn’t sink. When an onlooker sees the ship, he/she can’t see what’s beneath the water. What I am trying to say is, that I learnt – this lesson that relationships are often like these ships. There’s so much under the water- it is a human heart always failing to dig a little deeper and realize that roots of any existence in this world are strong but hidden.


Patience is the root of a relationship. My mother did show her anger, she did keep her desires in front of my father, she did let her agitation out on occasions but unlike my father she was always considerate about ‘when’. She was always the binding energy, like a vastly spread moonlit sky and my father was just a lightening. She was the one who held the galaxies, the stars, the moon and he was temporary, who fed on the vastness of the sky.

How many times have you been in that moment when anger got the better of you?
When was the last time when your frenetic heart failed to see the goodness of the other in a relationship?
How many times we make decisions in a second, we judge in a second, we reach on a conclusion in a second – only to realize there was much more beyond the point of our patience.

Most of us are undoubtedly tied up with the times. There’s tiredness and there’s a sense of loss of time. We fail to stop by too often, to listen to stories, to look closely at people aching for a loved one, to look at our own homes and feel what has kept it growing or breaking since years.

Despite the restlessness, the hysterical breaking and blooming of our love for ourselves and the others, we have failed to keep our relationships intact – mostly because we were too frazzled, to stay on the brim and wait for a little longer, to let things settle down and give what we love, one more chance; only when we knew at the core of our hearts- that would have been the right choice.

I have been in these situations, where I blamed before I self-checked. Where I could have stopped at the point when I saw my relationships reducing to nothing but egoistic arguments. Where I could have looked beyond that hour, those words, that particular issue. Where I could have thought that self presumed conclusions often lead to wrong closures. Where despite of being correct, I could have thought, how my mother did, of the correct time to say certain things. Where I did have the ability to be patient but I chose not to.

There are certain things that can’t be taught and when they go wrong, one can’t be blamed for them. Nobody will ever tell you in this moment, to listen to your heart and choose the better version of you- because you can.

Patience can’t be taught downright as a mannerism. It can be observed and learnt when you do feel that impatience has broken small things in your life. When you are able to see that your anger, an impulsiveness in your temperament has blotted the affection of others towards you. When you are able to notice that people whom you dearly love are hesitant of speaking their heart out in front of you. When the small joys of a relationship change to a routine of you and me instead of ‘us’.

“Anaarkali of Aarah”: An important but sidelined film

There’s no lamenting the deteriorated state of Hindi cinema today. There are films that openly present to you on a delicious platter – sexism, racism, fascism and everything that we choose to scrutinize only if it devours our homes and families, only if it does not hinder our ideas of entertainment. A joke is remarkable till the time it’s on someone else, but the moment the propaganda covers our livelihood, it must become a carnage; and then there are these films that tear apart exactly these heart shaking realities to their deepest layer and present to you like a tight slap and urge you to wake up and look where we have landed, in the times when we call ourselves educated and progressive human beings, but we fail as people to give these filmmakers a chance to let us teach lessons that are rather important.

Anaarkali of Aarah is one such film. A singer and dancer from the Aarah village of Bihar, whose songs have double-meaning; as a woman, Anaarkali is a free spirit, and chooses to be a singer with immense pride and passion. She is sexually harassed on an open stage in the presence of 500 people, including the whole department of Bihar Police by a man who deems himself as someone- economically and socially powerful. Anaarkali roams across cities, inside and out; she craves to be what she was with the same pride and same banter, but society looks down upon her a hundred times each day, to let her not forget that it is her who needs to be ashamed, and not the one who dared to think she’s a on sale with a price tag.

Even when she fought like a woman throughout the film, it was the people around her who made her believe that her life was over; that when a woman is harassed, she is supposed to lead a life of a victim, and is expected to roll inside her body and try to be as non-existential as possible. The harasser on the other hand, is the privileged one and a powerful man, in this film – free to teach her a lesson for raising her voice, even when rightfully so. In the end, she does what every woman must know- to say a poised no on the face of men who try to touch her, reducing her body to a commodity.

Several times while watching the film, I wanted to pluck this woman Anaarkali out of that wrathful story that Avinash Das, the director of the film, had put her into and place her in a safe sanctuary. The way Das has managed to keep this story raw, fully projecting each detail of society which is ferocious, grimy and blemished is outstanding. In the end, when she returns to give a fitting reply to her harasser in front of the whole crowd, her act of saying a ‘No’, loud and clear, is so befitting that I felt my body shaking with the courage and faith she resounded from the screen.

“The payoff seems to have been created for an upbeat ending, but we can’t help cheering when Anar rises, refusing to be cowed. What it says needs repeating: whatever kind of labour it may be, including women who strut their stuff — dignity is paramount.”

No film in Hindi cinema, in my opinion, has reflected this brilliantly the idea of consent. It is painful that such films not only cringe for budgets and cinema space, but also when they do release, with a single show at a single theatre, the halls are empty- we might be weeping for the same celebration of cinema that falls conveniently into the lap of films that hit the theatres with big names, fat money and months of promotions and expensive marketing tactics. The films that believe in the power of cinema itself, in the talent of these bunch of actors and storytellers who must prove their calibre time and again are failed, and how. It’s deeply saddening that despite being a marvellous work of cinema, Anaarkali of Aarah lays forgotten and ignored.

These Women’s Conversations With Humans Of Bombay Show They’re Made of Compassion and Courage

Metro stations, roads, temples, houses, offices, gardens, wherever I’ve seen women, I’ve seen stories. Of courage, of love, of forgiveness, of freedom, of struggles, innumerable stories that make them a single body but thousand souls. As they say – we’re women, our choices are not easy: there are women who defy this concept everyday. With their laughter, efforts, love, compassion, self-determination, they make the toughest choices and win over circumstances even when the society addresses them as the weaker sex.

Humans of Bombay brings together hundreds of beautiful stories, but a few stories about these women made me cry like a small baby, filled me with motivation and strength and sometimes just left me stumped, cold and pensive. Here I am, sharing a few of my personal favourite stories about women who are as ordinary as the smell of wet mud and as special as sparkling stars.

“I’m still working because I still like to fend for myself — and I’m grateful that all three of my daughters are like me — working and not depending on anyone else.”​

“I lost my husband 18 years ago and it’s been a difficult journey raising 3 daughters by myself.”
“What has been the hardest part?”
“Convincing my family that educating them was more important than making them help at home or doing odd jobs.”
“What happened then?”
“I educated all 3 of them to the best of my ability and eventually they started getting part time, then full time jobs and taking care of me. By God’s grace they’re all well settled, I have grandchildren and I’m still working because I still like to fend for myself — and I’m grateful that all three of my daughters are like me — working and not depending on anyone else.”

“Some may look at our lives as sad or tragic, but the truth is we’re happy, because we can do what we like with the money we earn, and because we’re finally able to live for ourselves.”​

“We live in the same neighbourhood since about 40 years now– it’s a small slum area just down the road. Life has actually put us through some pretty difficult experiences around the same time. Where we come from, the men think it’s normal to drink alcohol every night and on many occasions, through the day. Desi alcohol is available cheap and at every other joint– so our men would drink together and be happy with the little income they earned because it got us two square meals and a roof over our head.

It was us women who were concerned about the bigger costs — sending our children to school, buying their books and having at least a small tube light at home, under which they could study. We realized that everyday while we were doing our chores, we would worry and complain about this same issue day in and day out. We tried talking to our husbands about doing something, but so many times we would not get a reply, and when we did, it would be ‘we’ll see what to do’. Finally, we decided that we would have to do something ourselves — we all set out to find jobs; any job that required manual labour. They both got jobs as domestic help, and I got a job as a cleaner at a nearby school.
With time, we realized that we were happier outside the house rather than listening to our husbands slur and abuse us at home. Strangely enough, all three of our husbands passed away or left us around the same time — two of our husbands passed away in a car accident, and her husband left her for another woman. But instead of feeling sad, we felt liberated in a way — no one likes being woken up late at night by a drunk man, and more than anything, our children no longer had to feel scared of beatings or having no school to go to.

We have full time jobs now, and at around 6 every evening, we meet here, enjoy some fresh air, chat about our days and wait for the chaat wala to come. Some may look at our lives as sad or tragic, but truth is, we’re happy because we can do what we like with the money we earn, and because we’re finally able to live for ourselves.”

“When we reached the top, I struggled to feel something; there were people crying and others screaming, but I just felt silence, I felt ‘Shuniya’, I felt complete.”

“Every summer holiday, my family would pack up a bag and go to the Himalayas. We would trek, explore, meet locals, stay in tents and cook our own food – there was something about the mountains that called out to me since then. I was so passionate, that over the next few years, I completed the basic and advanced mountaineering course, and in 2008 I became the youngest person in the world to climb the Satopanth peak in the Himalayas. It was around this time that climbing Everest became my dream— but it wasn’t easy.

To start off, it’s a really expensive process but my family did everything they could for me. My father took a loan from the bank and our house was put on mortgage without telling me a word — I was told that big corporates finally came ahead to sponsor my expedition. At 19, not only was I the youngest person on my team, but I was also the only woman — and that pushed me harder.
We began the climb, and the journey to Everest brought difficult circumstances to us. Early on, we had to face an avalanche and a snow storm, but the worst part of it was losing a team member. I was scared, but I couldn’t allow the fear to take over me… so the only thing to do was to move forward. Over the next few days, 2 more of our team members had to be rescued half way, but I was determined to get to the top and take in as much as I could on the way.

I distinctly remember a moment when I was above the clouds, and the sun began to rise on one end, and the shadow of the mountain gave darkness to another. I was part of that shadow but I was still above the sun. It was a moment when everything stood still; I was a part of day and night all at once.

When we reached the top, I struggled to feel something, there were people crying and others screaming but I just felt silence, I felt Shuniya, I felt complete. The only thing that came to my mind at that point was my family, and how I wanted to make it back down to tell them about the top; about how much I love them.

I did reach down safely and in the same year, I attempted to become the first woman to climb the 7 highest peaks— but 750m away from the final peak in Alaska, there was a political intrusion and I couldn’t finish my climb or get the record — I was so upset, I cried for hours. It was only later that I realised how foolish we are to give so much importance to success or failure, but no importance to the journey of it all.

I got back to life and started to tell the stories of my climb through my dance. So that’s my story — I’ve climbed Mount Everest, and I understand that just because I have, doesn’t mean I’ll be successful or always make it to the top – it doesn’t mean everything I do will be as thrilling as the climb— it just means that I’m trying, and I will put all my heart into trying no matter the success or failure. That’s the one thing climbing Everest taught me — that there is infinite power in what the heart wants and if you have the courage to trust it, life will present magnificent things to you…not necessarily ‘at the top’ but even on the way there.”

“I began to counsel cancer patients ever since, because for me defeating it twice wasn’t enough— I wanted to defeat it as many times as I possibly can.”

“I’ve been a primary grade teacher at GD Somani since years. I’ve lived a great life with a few ups and downs…but that’s everyone’s life. Life is very ironical at times — all my life, I’ve been surrounded by children, but after marriage I had several miscarriages and then delivered a still born. That was the hardest phase of my life, but finally I gave birth to my twins, prematurely but they grew up to be healthy and happy.

In 1998, after my aerobics class, I felt a kind of pain in my breast, but shrugged it off thinking it was a muscle pull. A few days later, I felt two lumps and realised that it wasn’t just any pain…I rushed to the doctor immediately and got my tests done. I tested positive for breast cancer and almost immediately had to get surgery. I still remember, on the way back after my surgery was complete, I gave my husband a fist bump and said ‘we’ll be okay’, even though the doctor had just told me I had 25% chances of survival. How exactly should I put this in words? That feeling of knowing that you may not live to see another day or get to see your children grow up and become parents themselves was overwhelming. Through this whole time, I didn’t once ask, “why me?” — I didn’t indulge in any form of self pity. My whole life focus shifted from being sad to becoming a fighter. There were days that I cried, but for every tear I shed, I fought harder. I forced myself to laugh, to distract my mind and enable myself — very often, I would fight with the hospital staff if they tried to help me go to the loo…even though I would fall on the way, I made sure I did it on my own.

Long story short, I beat cancer, but in 2004, I was detected once again. I underwent multiple chemo sessions and lost all my hair, but I distinctly remember not giving it too much energy. I didn’t have any hair on my eyebrows, so I would color them in with a brown pencil. My nails would turn black, so I would paint them a new color everyday to make me happy. I would experiment with different wigs and love my look…there were times when I went out completely bald and people asked me if I had just visited Tirupathi and I would play along! My whole life became about being happy no matter what my situation and the fundamental rule of life is — a disease cannot exist in a body that has positive energy. I beat cancer, again and this time, I came back with a thumping victory. I began to counsel cancer patients ever since, because for me defeating it twice wasn’t enough— I wanted to defeat it as many times as I possibly can.

The only thing that’s different about me now is that I often ask the question, “Why me?” just so that I can say the answer out loud — “Because I’m strong enough to handle anything that life throws at me…and because I already have!”

“The person whose phone this is, is dead, come claim the body’; and I was shattered. I had no idea what to do or where to go, so I sat down on the floor and cried.”

“I’ve always been a homemaker, while my husband worked at the railway station. We were very content with our lives— I was very happy raising my two daughters at home, and he used to love his job. Suddenly one year, I fell really ill, and I was hospitalised for a couple of months, when we faced some difficulty managing everything. So, my husband called his mother from our village to look after me. After a few months, when I recovered and my mother-in-law was leaving to return to Patna, my husband went alone to drop her off at the station, sometime around 9PM. I was sleeping when my sister in-law called me around 10 PM, told me about the 26/11 attacks, and said my husband wasn’t answering his phone. I rushed down to the PCO to call him, and after trying many times, someone finally picked up and said, “The person who’s phone this is, is dead… come claim the body’, and I was shattered. I had no idea what to do or where to go, so I sat down on the floor and cried.

It took me many months to recover — from seeing his body, to realising that I had lost my partner forever. As time went by, I pulled myself together — I had to. I had two daughters who had their whole lives in front of them, and I had to make sure that I did everything I could to educate them better. I received compensation from the government, which I used for their education and to take care of the house and my mother. I was also offered a job from the railway, but since I had only studied until the 8th grade, I couldn’t get a job that paid me half as well, but I took it anyway. I wanted to set a better example for my daughters, so after a few months I decided to join school again. Those days were absolutely crazy; from preparing food for my daughters, to dropping them to school, going to work, coming home, cooking dinner, doing my homework and rushing to night school at 7 PM… I have no idea where the strength came from! I just loved that I was educating myself to never feel helpless again — I finally passed my 10th grade exam, and am on my way to clearing my 12th, and through this time, I got my promotion as well!

I know my husband would have been proud of me, of us — my daughters are doing so well at school. Sometimes, life takes people away…I still sometimes question why 26/11 had to ever happen, but the only way to fight back is to not give up. Every year, that day marks the death anniversary of my partner, but it also remains the day I became independent, where I didn’t succumb to the terror, but used the pain to make my girls and me stronger.”

6

“Often, I hear that we live in a male-dominated society, but I have never let my gender come in the way of what I wanted to achieve.”

“My father was a freedom fighter, and my whole life I’ve wanted to be like him— to make a difference for my country. Even though I’m a certified doctor, my heart always longed to serve the country.A major event that happened early on in my life was meeting my partner — I found my entire world in one person. What started off as an innocent attraction turned into a lifelong bond — at 18, we knew we wanted to spend the rest of our lives together, and our parents didn’t approve, so we set out on our own since then.

He knew that I wanted to empower myself and do something for the country, so as a stepping stone, he began to train me in martial arts. We would go to work all day and at night train until sunrise…with every passing day, I felt more independent and powerful. I wanted to become a commando trainer and I was so determined that I trained harder than ever before.Once, when my husband and I were in Pune, we passed a group of army men who were training in the morning. We approached them, told them who we were, and asked them if they would like us to demonstrate our form of training, and they agreed. Since then, we haven’t looked back. We began to train army personnel all over the country, and I became India’s first woman commander trainer.

As time went by and my commitment to this cause grew, my in-laws disapproved of me; the woman of the house undergoing such intense training, and one day asked us to leave their home. My husband and I moved into this small clinic space, which is the only place we had at that time, but this is something that brought us even closer together. Those were difficult days— I’ve sold a lot of my jewellery to make ends meet, but I have absolutely no regrets. I spent most of my youth in freezing high altitudes, scorching hot deserts, dense jungles and hostile LOCs, and I loved every minute of it.

It was sometime then that the conversation of starting a family came up, and after many healthy conversations, my husband and I decided to adopt. I was at the peak of my career and I didn’t even want to stop for a second, so this way, we could balance our work and the child without having to give anything up. We adopted our little girl, who is now a doctor and what can I say…she makes us proud every single day.

So while I am a doctor, I pride myself on the fact that since the past 20 years, I have trained without any compensation over 20,000 Indian soldiers from every elite force including the NSG BlackCats, IAF Guards, Indian Navy Marcos, BSF and many more. In fact, after the 26/11 attacks, I was called in to train the police of 16 cities. There have been many lows in my life – on the family front, on the health front – I’ve been injured multiple times; and on the financial front as well…but I didn’t stop.
Often, I hear that we live in a male dominated society, but I have never let my gender come in the way of what I wanted to achieve. My husband and I have always been equals, and that’s why we’re so strong – from work to family we’re equally invested in both. As a society, that’s how we evolve – by having strong, independent women who are supported by strong, independent men as equals – two halves who can take on the world together.”

“It feels amazing to contribute to our family income. My husband said that this is the best gift I’ve given him!”

“My father never allowed to work before marriage, but my husband was of the opinion that I should do something and not just sit at home. This Diwali, I decided to surprise him — I made these beautiful lanterns for him to sell. So, we both sit at the stall together after he finishes work — he handles all the money, while I sell! The stall is doing so well; it feels amazing to contribute to our family income. My husband said that this is the best gift I’ve given him, and we’re going to celebrate with some jalebis tonight!

 

“I joined a female motorcycle group, and saw that there was a group of women going to Goa on their bikes. I wondered if it would be appropriate for a homemaker to leave her kids and family and go out on a bike journey.”

“When I was 6 years old, I got breathless and was admitted to the hospital. I had a growth in my windpipe called Papillomas and as a result, I had to depend on an oxygen tank until I was 18. After multiple surgeries, I was able to breathe normally, but my voice was barely audible — until today, I have to get a laser surgery every year, or else I lose my voice.

I am a homemaker. I have two sons and a loving husband, but I’ve always felt like I need to do more and be more. Many years ago, we had only one car and my husband would take that car to work. Whether it was dropping my children to school or tuition classes or running my errands, I would always have to go in an auto. So, I decided to start saving money for a bike. Every month I would save a little, and after a year and a half, I was able to purchase my own bike— and the second I drove it, I fell in love. More than anything, it gave me the independence to move around freely — it may not sound like a lot to you, but it was everything to me.

I joined a female motorcycle group, and saw that there was a group of women going to Goa on their bikes…I wondered if it would be appropriate for a homemaker to leave her kids and family and go out on a bike journey. When I told my family about this opportunity they were so supportive; in fact they pushed me to go for it! My husband said he will make sure he’s at home more, and my older son said that he would take are of his younger brother. I made their study time tables for them, organised their drops to school and tuition and took off — I went to Goa and back by bike with a group of women and it was the most liberating feeling of my life…and it had only just begun.

Last year, I even completed a ride to Himachal Pradesh and Uttarakhand, but the highlight of my life has been when I got chosen to go to Khardung La by TVS Scooty Zest. At first when I applied, I thought that from 50,000 applicants there was a slim chance, but I almost immediately got a call saying I was on board!

The journey was a beautiful one — of course, there was a lot of difficult terrain, but it was all worth it, when we got to the top on August 21st. In fact, I turned 50 on that very day, and the rest of my group organised a cake and sang for me on top of the peak. I remember the moment I reached the top— I started screaming! Never before had I felt so free, powerful and complete. When I got to the top, I felt that I had my own identity; that I wasn’t just someone’s mother, or wife – I was me. I am a 50-year old homemaker who has a passion for bikes… and I just got to the top of one of the highest peaks in the country. Age? No barrier. Profession? No Barrier? Disability? No Barrier. Truth is, the only barrier is you, and if you really want something, no power in this world can stop you from getting it.”

“Even when the doctors painted a bleak picture, which consisted of possibilities of haemorrhage or paralysis, I focused all my energy on the beauty of life. I felt liberated.”

“I’ve had a funny relationship with cancer. In 2005, I was detected with breast cancer, and I had to undergo 6 chemo sessions and 30 radiation cycles until I was finally cured. I thought I had won the cat and mouse game with cancer, but in 2013, when I started feeling increasingly nauseous and weak, I got an MRI done and realised that I had stage 4 brain cancer.

I won’t lie — At 62, when the doctor told us that I had 8 days to live, I was terrified. I remember that night, lying in Bhatia hospital, processing the news… I didn’t know if I would sleep. But then I visualised my guru, took his name, and said to him, “From here on, you are responsible for me.” Then I did what most people find difficult to do — I let it go completely. I stopped giving it any energy… I stopped making cancer bigger than me. As I went through 20 sittings of brain radiation and one massive surgery after the other, I kept myself busy and amused. Even when the doctors painted a bleak picture which consisted of possibilities of haemorrhage or paralysis, I focused all my energy on the beauty of life. I felt liberated.

I still remember that I had lost 10 kgs, but when everyone was around me in the hospital, I would say – ‘check out my muscles’, and they would all burst out laughing. My daughters were scared of telling me that I had a bald patch, so when I went to the hairdresser to get a haircut and saw it for the first time, I burst out laughing and said “Oh God, now I have lesser hair than your father!” If they were my last 8 days here, I wanted to focus on the beauty of life and that’s what I did. I lived every moment with love for my family and everything around me.

My daughters and I started meditating to calm our minds. I started doing a lot of yoga. With a heart filled with faith, I prayed to my guru and moved onto a raw fruit and juice diet. The doctors had given me about 5 medicines to have three times a day and asked for tests every three months. My family would go through immense pain each time I would go for these tests, so I made a resolve to become so fit that I was no longer a cause of pain to my family.

And it was with that resolve that today, I can do yoga for two hours each day; my weight has increased again, I walk for about half an hour, take no medicines whatsoever and feel happier and healthier than ever before. In fact, I’ve even started teaching children at a wellness centre.
So there, both 62 and cancer have nothing on me. In fact, I think they’ve come to fear me and my strength – I’m pretty much THEIR worst nightmare!”

“Why is beauty so superficial? You may be fair and I’m dark, but I still feel beautiful. Why is beauty associated with skin color? Why does where I come from matter?”

“I was born in Kamathipura. My mother used to be a sex worker because she was trafficked here from Kerala, but when she met my father who fell madly in love with her, she gave it all up. Even though they were married and she started working as domestic help, my family couldn’t afford to move out of Kamathipura.

Growing up, I faced a lot of discrimination. I had everything going against me; I was a dark skinned Indian girl from a red light area. At school, the other children refused to talk to me or play with me. They would call me a ‘crow’ or ‘black cow’ behind my back and treat me like an untouchable. I was always by myself and at the age of 10, one of my professors at my school took advantage of the situation and raped me. Our education system is such that we’re not even taught about what a good touch or a bad touch is, so how was I to know? I was too scared to tell anyone until the age of 16, when I began therapy and realized that I had been raped.

My only coping mechanism through everything has been theatre. I’m part of a street play group where we go around explaining through theatre what a ‘bad touch is’, or about menstruation and sex. So many times, the cops in Bombay have shooed us away because they hear the word ‘sex’; it’s so infuriating that we live in a place where we’d rather let our daughters get raped then explaining these things, just because it’s considered a taboo.

My parents moved back to Kerala in 2013, but I’ve been here in Bombay because Kamathipura is my home. And it’s a beautiful home; there’s so much love here. The women here are amazing, beautiful humans who have treated me like their daughter. I remember, a few months ago, I was crossing the road when a taxi drove over my foot and refused to even stop. To him, anything he did in Kamathipura was acceptable, because everyone there is ‘dirty’ according to him. But these 2-3 women charged up to him and said “How can you treat our daughter like this?…get out of your car and apologize.” So many times men will look at me and make lewd gestures, but these women will come to my defence and tell them to back off.

Funny, isn’t it? I was never discriminated against in Kamathipura, but I was outside. I was never sexually abused here, but I was at a school in Bombay. That’s why I’m still here. Through Kranti, I went to San Francisco for a programme called ‘Girl on the Run’, and I learnt so much. I found people were so accepting of my color, my background and my abuse. For the first time, I could speak freely about sex without worrying about a cop shooing us away. I learnt so much that I wanted to come back here and make my home a more accepting place through my theatre.

Why is beauty so superficial? You may be fair, and I’m dark, but I still feel beautiful. Why is beauty associated with skin color? Why does where I come from matter? Why can’t we see people for the good in them? Why can’t we just accept?”

These people were interviews by the team of Humans of Bombay.

Excerpts From an Interview Given by Frida Kahlo and Diego Rivera

Frida Kahlo was a Mexican painter who painted self-portraits. Mexican culture and tradition are dominantly reflected in her work and she always claimed her work as a reflection of her own reality than her dreams. Kahlo contracted polio at the age of 6, had an almost deadly accident at the age of 18 and went on to marry Diego Rivera, the muralist and ultimate womanizer.

Kahlo had a volatile marriage with the famous Mexican artist Diego Rivera. She suffered lifelong health ailments majorly caused by an accident she survived at the age of 18.

Recovering from her injuries she always remained isolated from people which influenced her work greatly. “I paint myself because I am so often alone and because I am the subject I know best.”

Throughout her life she gave many interviews, the best of her responses from one of her famous interview with her husband, Diego are recorded below:

Diego and Frida were both interviewed by Nick Bravo for The World. Here are some excerpts from Frida’s interview:

Frida, your father was a painter and photographer. What kind of effect did that have on you?
Funnily enough my love for painting grew later in my life. Earlier on I wanted to get into medicine. I was so interested in curing people, relieving them of their pain. My artistic side bloomed later.

It was the infamous bus accident that changed your path wasn’t it?
Yes Nick. It’s been well documented. As a part of my healing process, I guess just to relieve my boredom more than anything else, I started painting. And it wasn’t like I had painkillers and experts putting me back together. Those were hard times and I really suffered. I mean, I didn’t get out of bed for a year. But I found an outlet, luckily, in my painting and that in some ways saved me I guess.

Perhaps one of the defining things about your career Frida is that you’ve captured the imagination of a whole generation of women. You’re a lighthouse in some ways for the feminist movement.
I think that’s probably because of my subject matter more than anything Nick. You know, so many of my paintings, I think about roughly half of them are self portraits and in my self portraits I really dealt head on with whatever I was facing. If I was in pain, I drew it, in literal ways I portrayed the emotions I was going through. And I guess that many women have difficulty sometimes expressing that sort of thing. Often women are repressed within the family structure and I guess that my paintings resonate so strongly with women because they are representative of the struggles women face. I think my work too was empowered by my struggles as a human. It was empowered by my love with Diego which ran a fairly torrid course as I’m sure you know. It was empowered by my pain, the constant pain that I went through as a result of the bus crash. And ultimately, it was heavily tinged by the fact that I was unable to bear children. That must be the hardest thing a woman can face, to be unable to fulfill her motherly urges which Nick, you cannot understand unless you are a woman. It is just so strong that urge… I still ask the God why I was denied that right. But maybe, maybe my work would have not been so far-reaching without my struggles.

Retrospectively, what do you feel were the three defining factors of your lives?
My love for Diego, the crippling pain I dealt with from the accident and my inability to have children.

She was a fierce soul whose perspective of her own self was deep enough to make her art beautiful and full of ideas of her own soul and body.

“I wish I could do whatever I liked behind the curtain of “madness”. Then: I’d arrange flowers, all day long, I’d paint; pain, love and tenderness, I would laugh as much as I feel like at the stupidity of others, and they would all say: “Poor thing, she’s crazy!” (Above all I would laugh at my own stupidity.) I would build my world which while I lived, would be in agreement with all the worlds. The day, or the hour, or the minute that I lived would be mine and everyone else’s – my madness would not be an escape from “reality”.

“I used to think I was the strangest person in the world but then I thought there are so many people in the world, there must be someone just like me who feels bizarre and flawed in the same ways I do. I would imagine her, and imagine that she must be out there thinking of me, too. Well, I hope that if you are out there and read this and know that, yes, it’s true I’m here, and I’m just as strange as you.”

“… and I hope never to return.” Written on the last page of her diary, Frida’s pain was too heavy to wish for another lifetime. She physically left Diego whom she loved dearly, her friends and her art but she lives in every woman who goes through any kind of pain representing every ounce of strength and endurance she showed throughout her life.

“Frida’s postmortem chuckle, a last laugh if there ever was one is echoing still. Half a century after her death, Kahlo, around whom a whole industry has sprung up like a garden on a grave site, grows more alive with each passing decade.”

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Life is a makeshift

There are these moments
when you’d want to pluck the earth off the universe
and put it somewhere in the junkyard, forgotten;
never get any of these lives back and find yourself anew
folding into layers and layers of unanswered qualms.

I once ran off places on earth and in my head with a wrong map
each time I was sure, I would take some pills and quit this.
Yes, once upon a time I wanted to die or maybe not
but I walked till here and
I’ve shed my own self, I got the path
and I’m an existence forever ‘becoming’.
I never reach a point where I look into myself
And feel where have I reached, where is the right map?

I do not arrive now, at places, in time, in situations, amidst people.
I roam in circles encountering my silent adventures,
I become a dandelion, a root, a leaf, a flickering bulb,
a freak, a wolf, a nest, a cocoon,
And from each life, I move towards another,
To never let the world see,
What have I made of myself.

I am not the noun, I’m a verb.
I change and I am a process,
Maybe like a feather of the bird that falls down
Swaying and shedding the weight of its broken wing.
Yes, I couldn’t once choose myself over my sorrows
But I’ve made museums with chandeliers
Out of each of my grief.

Magic chambers in my eyes,
I’ve left long back
What people made me think
I must learn to be,
I’ve let my eyes dream of plains, scrapes, slopes and mountains,
Instead of directions, seasons, goals and constructions,
I will be my tomorrow before tomorrow arrives,
It is I, who’s moving and maybe not the time.
You’ll not find me arranged in a single manner,
A concrete, a mere life
Till a breath tears me apart.